Thank you for making part two. I never shot Ektar 100 on a cloudy day like you did, but it doesn’t look too bad imho. I agree with the skin tones though.
The black and white photo with the half open old gate is amazing. I have a thing for these „doors to the past“
Thank you for your comment! The door is indeed quite magical. I shot the same place on color film (Kodak Portra 400) during another season. It's less mysterious, but it has some nice colours. You can see it here: https://www.birgittebrondsted.com/blog/winter-on-film
Thank you for making part two. I never shot Ektar 100 on a cloudy day like you did, but it doesn’t look too bad imho. I agree with the skin tones though.
The black and white photo with the half open old gate is amazing. I have a thing for these „doors to the past“
Thank you for your comment! The door is indeed quite magical. I shot the same place on color film (Kodak Portra 400) during another season. It's less mysterious, but it has some nice colours. You can see it here: https://www.birgittebrondsted.com/blog/winter-on-film
Lovely! Thank you for sharing!
I can’t see good photos in colour and black and white at the same time, so fair play. I have to choose one or the another for the day
I know what you mean. I am not too crazy myself about sharing both color and black and white in the same post, but in this case I had too :-)